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Jazz Piano Lessons

(800) 417-4620

Here's an outline of topics your teacher can cover with you depending on your level of ability.

Beginner
  • Intervals
    • Simple intervals
    • Compound intervals
  • Scales
    • Major scales
    • Minor scales (emphasis on the ascending melodic minor scale)
  • Triads
    • Major triads
    • Minor triads
    • Diminished triads
    • Augmented triads
    • Inversions of all triads
  • Repertoire
    • The twelve bar-blues form
    • The blues scale
  • Rhythmic concepts
    • Swung eighths
    • Straight eighths
    • Practicing with the metronome on beats 1 and 3
Intermediate
  • Modes/Scales
    • Modes of the major scale
    • Modes of the ascending melodic minor scale (emphasis on the "altered" scale)
    • Chord scales
    • "Modal" playing
    • "Triadic" playing
  • Harmony
    • Major seventh chords
    • Minor seventh chords
    • Dominant seventh chords
    • Minor major seventh chords
    • Half diminished chords
    • Fully diminished chords
    • Inversions of all seventh chords
    • The "ii V I" progression
    • The "iii vi ii V" turnaround
  • Repitore
    • Standards
  • Rhythmic Concepts
    • Practicing with the metronome on beats 2 and 4
    • Rhythmic counterpoint
Advanced
  • Bebop and Chromaticism
    • Approaching chord-tones by step
    • Pentatonics
    • Intervalic playing
    • Melodic counterpoint
    • Playing "outside" the changes
    • "Free" playing
  • Harmony
    • Substitutions
    • Poly tonality
    • Passing chords
    • Pedal points
    • Pedal points
  • Repertoire
    • Learning standards in different keys
    • Composition
  • Rhythmic concepts
    • Odd meters
    • Poly meters
    • Poly rhythms
    • Rhythmic modulation
    • Changing meters
    • Practicing with the metronome on different parts of the beat
  • Ear Training
    • Transcription and analysis
    • Sight singing

Related Information

About the Piano

About the Piano

Interestingly, composer Johann Sebastian Bach did not like the first piano he was introduced to in 1730, claiming that the higher notes were too soft to allow a full dynamic range. The criticism was apparently heeded by piano builders. Bach did approve of a later instrument he saw in 1747, and even served as an agent in selling certain builder's pianos.

Read more...

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